Event: Usher for the Second Stage Theatre
Location: Second Stage Theatre
307 West 43rd Street, New York, NY 10036
Date: Jul 10th 2005, 1:45 pm - 5:30 pm
Staff: Manager: Fidencia S ; Coordinator: Tina F
RSVP: This event has already occurred

Event Description:

Usher for the Second Stage Theatre's production of Birdie Blue. After your ushering duties, you get to watch the show for free!

UNIFORM:
Women: White shirt (no tank tops), black pants (or long black skirt below the knee), black socks & shoes (no open toe).
Men: White button down shirt, no tie, black pants, socks & shoes.

Second Stage Theatre:

Director Carole Rothman and actress Robyn Goodman founded Second Stage Theatre in 1979 to give 'second stagings' to contemporary American plays that originally failed to find an audience due to scheduling problems, inappropriate venues or limited performance runs. Since then, Second Stage has evolved from a small theatre into an Off-Broadway institution dedicated to developing plays, artists and audiences.

Second Stage gives new life to contemporary American plays through 'second stagings;' provides emerging authors with their Off-Broadway debuts; and produces world premieres by America's most respected playwrights. Through both the production of new plays and long-term residencies that focus on artistic process rather than product, artists find a supportive environment in which to try new roles, production designs and writing techniques. Audiences are an essential factor in program development at Second Stage, which is nationally known for its dedication to building future audiences by educating teens about the art of contemporary theatre and encouraging their participation in the cultural life of New York City.

Over the past two decades, Second Stage productions have launched the successful careers of numerous directors, actors, playwrights and artists, many of whom regularly return to work at Second Stage. The company's mission also has expanded to the commissioning of a body of multigenerational plays; the creation of a training base for young directors and a home base for mid-career directors; and the development of educational projects that are integrated with the ongoing artistic work at the theatre.

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